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Thursday, 26 June 2014

E-book Still Available on Amazon Kindle Store

For beginners, improvers, and experienced painters who just want to remind themselves of a few basic things.

Go to the Amazon Kindle Store, and download it there - although I can also provide it as a DVD (in pdf format) if required (but at higher cost - £7.50 including p & p).

My email address is

Saturday, 21 June 2014

Along the Path to Niton Village

This one is an oil, of a difficult subject - the path itself is usually fairly dark at this point, but I wanted to get a bit of light into it.

Dimensions around 30 by 40cm.

Thursday, 12 June 2014

New Acrylic

Back to my Cryla and Chromacolour acrylics for this one - a change being as good as a rest.  I've had the sketch waiting to be painted for over a year - what attracted me to this subject was the sycamore leaves, which were out before anything else - a flash of quite pale green at that time of year, against the browns, blacks, reds and greys of the other trees.

Down from the Downs is the title, 30cm by 40cm, cloth on board.  £150, for anyone interested.

Wednesday, 11 June 2014

Green and Red

One of our colleagues on Painters Online (web pages of The Artist and Leisure Painter magazines) painted a picture in a range of greens.  In admiring her (Louise Naimian's) work, I remarked that the late F C Johnston, ex-editor of Leisure Painter and the author of a book on oil painting technique, recommended painting studies in Viridian (Green) and Alizarin Crimson, as a lesson in tone rather than pure colour.

Louise is one of those people who, faced with an idea, has to accept it as a challenge.  You can see her watercolour using red and green on POL now (just type in her name to find her gallery).  I also, unwisely, mentioned I'd painted a few studies in Viridian and Alizarin - without mentioning I did them 30 years ago, and Louise wanted to see them.  

Well, they could be anywhere now - they're probably here in a file somewhere.  Anyway - rather than disappoint or brand myself a liar, I thought I'd do a new one.  It's only a very quick effort, in acrylic on Daler Rowney System 3 acrylic paper (which I don't like very much, in sharp distinction to nearly all other D-R products) and  yes, I know the chimney pot is wonky: the point of doing this sort of thing is to explore tone, light and dark and the bits in between, and Viridian and Crimson produces a very strong range of colours.

Except ....... it ain't Viridian; I've run out.  So it's Hookers Green, plus Alizarin Crimson; and being acrylic, it has to have a bit of white with it, which watercolour wouldn't need (but oil would, obviously).  Always useful to have a go at this sort of thing, if you haven't already: I wouldn't argue the results are especially pretty, but that's not the point.